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Young Frankenstein
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Director: Mel Brooks
Writers: Chris Sanders, Peter Brown
Producer: Michael Gruskoff
Writers: Mel Brooks & Gene Wilder
Studio: 20th Century Fox
Movie Style: Comedy
Cast: Gene Wilder, Peter Boyle, Terri Garr, Marty Feldman, Madelyn Kahn, Cloris Leachman
Plot:
As a respected researcher and physician, Dr. Frederick Frankenstein, the grandson of the more famous Dr. Victor Frankenstein, who did experiments on bringing back the dead, tries to disassociate himself from his more famous relative, even to the point of pronouncing their surname differently. Regardless, Frederick is drawn back to the small Transylvania town and castle where Victor conducted his experiments, he leaving behind his somewhat standoffish and "untouchable" fiancée, Elizabeth, back in the US. He also slowly begins to get drawn into the research that his grandfather conducted, he eventually learns not by accident. As Frederick tries to reanimate his dead subject with the help of his hunchbacked aide Igor and his beautiful assistant Inga, rumors abound in the town of what he is doing, they who have been trying to disassociate themselves from the work of the former Dr. Frankenstein generations ago. Inspector Kemp is tasked with stopping any work if it is indeed happening. All these issues collide as Frederick and team try to hide their work from the Inspector while hitting some technical roadblocks, and as Elizabeth comes to Transylvania and accidentally gets caught up in the experiment.
****plot summery obtained from IMDB.com****
Writers: Chris Sanders, Peter Brown
Producer: Michael Gruskoff
Writers: Mel Brooks & Gene Wilder
Studio: 20th Century Fox
Movie Style: Comedy
Cast: Gene Wilder, Peter Boyle, Terri Garr, Marty Feldman, Madelyn Kahn, Cloris Leachman
Plot:
As a respected researcher and physician, Dr. Frederick Frankenstein, the grandson of the more famous Dr. Victor Frankenstein, who did experiments on bringing back the dead, tries to disassociate himself from his more famous relative, even to the point of pronouncing their surname differently. Regardless, Frederick is drawn back to the small Transylvania town and castle where Victor conducted his experiments, he leaving behind his somewhat standoffish and "untouchable" fiancée, Elizabeth, back in the US. He also slowly begins to get drawn into the research that his grandfather conducted, he eventually learns not by accident. As Frederick tries to reanimate his dead subject with the help of his hunchbacked aide Igor and his beautiful assistant Inga, rumors abound in the town of what he is doing, they who have been trying to disassociate themselves from the work of the former Dr. Frankenstein generations ago. Inspector Kemp is tasked with stopping any work if it is indeed happening. All these issues collide as Frederick and team try to hide their work from the Inspector while hitting some technical roadblocks, and as Elizabeth comes to Transylvania and accidentally gets caught up in the experiment.
****plot summery obtained from IMDB.com****
Trivia
- When Mel Brooks was preparing for this film, he discovered that Ken Strickfaden, who'd made the elaborate electrical machinery for the lab sequences in Frankenstein (1931) and its sequels, was still alive and living in the Los Angeles area. Brooks visited Strickfaden, and found that he had stored all the equipment in his garage. Brooks made a deal to rent the equipment, and gave Strickfaden the screen credit he didn't receive for the original films.
- When Gene Wilder leans in to kiss Madeline Kahn goodnight in her bedroom, her last-second quip "No tongues" was ad-libbed by Kahn.
- Gene Hackman ad-libbed The Blind Man's parting line "I was gonna make espresso." The scene immediately fades to black because the crew erupted into fits of laughter. Hackman was unable to repeat the line without laughing with the rest of the crew, so the first take was used. Hackman was uncredited when the movie was originally released in theaters.
- The cast, and especially Mel Brooks, had so much fun, and were so upset when principal photography was almost completed, that Mel added scenes to continue shooting.
- The shifting hump on Igor's back was an ad-libbed gag. Marty Feldman had been surreptitiously shifting the hump back and forth for several days when cast members finally noticed. It was then added to the script.
- Flipped shot. In the chase scene in the woods, the Police Inspector's prosthetic arm, badge, and monocle/eye patch "switch" from right to left. His companion cradles his gun in his left arm. In extra footage on the Blu-ray edition, the same man is shown in raw footage, cradling the gun in his right arm.
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